The subject of Japan's
sakoku ("Chained Nation") period has been an endless source of fascination for writers and historians alike. The idea of a far off island nation cut off from the rest of the world; no on is allowed to leave or enter, has provided an endless source for the imagination. So it's no wonder that
The Thousand Autumns of Jacob de Zoet: A Novel by David Mitchell aroused the curiosity of reviewers the world over and has inspired your intrepid reviewer to chime in with a few thoughts on the matter.
First, a bit of historical background. Japan was not completely cut off from the world. The third Tokugawa shogun Iemitsu instituted Japan's "isolation" as a response to the growing threat of Christianity to his supremacy. Spanish and Portuguese Catholic missionaries made their first appearance in Japan in the mid-sixteenth centuries along with merchant ships. Spain and Portugal, in addition to demanding trade agreements from the shogun, brought with them Jesuit and Franciscan priests with the express purpose of converting the masses. Their influence grew so strong that they became a threat to the shogun. Both Conrad Totman,
Japan Before Perry and Paul Varley
Japanese Culture-available on Amazon-chronicle this history quite well. So, you ask, where does a Dutchman like the fictional Jacob de Zoet come in?The answer is simple. The Dutch and the English first landed on Japan in 1600 aboard the
Erasmus. Both nations were Protestant and interested in doing business with the Japanese not converting the masses to their particular religion. For a terrific account of the English/Dutch experience in Japan, check out not only the above mentioned books but also Milton Giles' book
Samurai William: The Englishman Who Opened Japan. The fact that the Dutch were not interested in proselytizing endeared them a bit more to the shogun. During the periodic Christian persecutions, the Dutch and the English were harassed but not condemned like the Spanish and Portuguese and their converts. Finally, Tokugawa Iemistsu put an end to the growing intrusion of the Catholic missionaries by ordering them out of the country or face sever penalties and closing the nation off to outsiders including other nations.
However, Japan was not completely closed off because non-Japanese people, i.e. the Dutch, English, Germans, and other Asian nations, could make contact on a fan-shaped man-made island called Deshima, where Mitchell's story takes place. Deshima was located off the coast of Kyushu, where Westerners made first contact with Japan. This was the place where Japanese and foreigners could come together. To be sure that no outside influence got in or the Westerners were not plotting a coup, translators (spies) were ordered to report to local officials. Mitchell sets the story in 1799, during a time when Japanese society, particularly at the upper strata, was under going a major change.
The samurai caste saw its power and influence dwindling during the eighteenth century as the
chonin caste rose in prominence. The
chonin were the town folk who established businesses that catered to the samurai making their biannual pilgrimage to Edo (Tokyo). They grew wealthy and most of all they began to grow restless about dealing with the outside world. Mitchell introduces the reader to the character Aibagawa Orito, a Japanese midwife studying
Dutch medicine.
Dutch medicine
was a euphemism for Western medicine, in fact there was a whole school of study devoted to all things Western referred to as
Dutch Studies.
The term is derived from the fact that by the eighteenth century the shogun lifted the ban on certain Western books so it would have been possible for our midwife to have access to such knowledge. Possible but not likely since universal education was not introduced until the Meiji period (1868-1912).
Nonetheless,
The Thousand Autumns of Jacob de Zoet: A Novel appears to make for a good, light read for those interested in Japan.